VALETON GP-200 USER MANUAL Pdf Download (2024)

VALETON GP-200 USER MANUAL Pdf Download (1)
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Multi-effects processor

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  • Contents
  • Table of Contents
  • Troubleshooting
  • Bookmarks

Table of Contents

  • Table of Contents

  • Welcome

  • Interface Introduction

  • Overview

  • Main Boundary

  • Tuner

  • Settings

  • Module

  • Related Settings

  • Settings (GLOBAL)

  • Input/Output (I/O)
  • Audio

  • Software

  • With Full-Range Sound Reinforcement Equipment

  • Gp-200)

  • Function, 4CM Connection)

  • Performance)

  • Pre (PRE)

  • Distortion

  • Noise

  • Cabinet (CAB)

  • Delay (DLY)

  • Volume (VOL)

  • Reverberation (RVB)

  • Control Information List

  • Troubleshooting

  • Specification Parameters

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  • 1 Interface Introduction
  • 2 Settings
  • 3 Tuner
  • 4 Settings (Global)
  • 5 Input/Output (I/O)
  • 6 Software
  • 7 Pre (Pre)
  • Download this manual

Translated from Chinese (Simplified) to English - www.onlinedoctranslator.com

User manual

Suitable for firmware V1.0.4

※-We will continue to improve our products and reserve the right to modify certain functions and specifications (including but not limited to appearance, packaging design, operating manuals, accessories, sizes, specifications, display screens, etc.), without exception 行Notification.

Please confirm product features and specifications with your local dealer before purchasing. The product image and color may differ from the actual product due to the camera light error and screen settings. Please refer to the actual product.

Table ofContents

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Table of Contents

VALETON GP-200 USER MANUAL Pdf Download (2)

Summary of Contents for Valeton GP-200

  • Page 1 Translated from Chinese (Simplified) to English - www.onlinedoctranslator.com User manual Suitable for firmware V1.0.4 ※-We will continue to improve our products and reserve the right to modify certain functions and specifications (including but not limited to appearance, packaging design, operating manuals, accessories, sizes, specifications, display screens, etc.), without exception 行Notification. Please confirm product features and specifications with your local dealer before purchasing.
  • Page 2: Table Of Contents

    (Display)·················14 CAB automatic follow (Auto-CAB -Match···14 Global- EQ············14 About·················15 Recovery Factory-Reset····15Supporting software·················16 With full-range sound reinforcement equipment···············16 With a guitar box (INPUT connector)········17 With a guitar box (before using the FX-Loop function) Set GP-200)····················17With guitarSound box (using the FX-Loop function rear GP-200)····················18...
  • Page 3: Welcome

    In case of thunder, lightning, sky or when it is not in use for a long time, be sure to disconnect the power adapter from the outlet. Therefore Ÿ If the equipment fails, please immediately disconnect the power supply, disconnect all equipment and send an email to contact Valeton (email address:service@valeton.net). Ÿ...
  • Page 4 GP-200- is a new generation of high-definition digital modeling comprehensive effects, its birth is derived from-Valeton-the previous generation product GP-100 upgrade pursuit of craftsmanship spirit. The new digital platform brings a better tone experience. More pins, larger screens, richer connections, more personalized buttons and knobs, 11-piece effect modules that can be moved at will, built-in more than -240- world-famous The classic sound box, IR-box body and effector tone are all just to create a more ideal stage partner for you.
  • Page 5 Rotate to select menu or adjust parameters, press to enter the menu 8.-Box head control knob Or switch the parameter page. The AMP module of the GP-200 can be adjusted by using the real sound box to easily control the changes in the music scene environment. 3.-Main volume knob- Control the total output volume of GP-200.
  • Page 6: Interface Introduction

    The ground wire is connected normally. Get up quickly 1.-Connect your device. Plug your guitar into the input connector of the GP-200, and connect your sound box to the output connector. Warm mention:- Ÿ Turn down the volume of the amplifier.
  • Page 7: Overview

    Get up quickly Use preset tone This machine contains 256 preset tones. By default, the first 100 presets (01-A~25-D) contain export parameters. When the export settings are restored, the 100 preset data can be individually selected to restore the original values. Step on the foot pin BANK- and BANK+ to switch between different tone groups, and step on the ABCD foot pin to switch between tones within a tone group (BANK).
  • Page 8 Automatic recording: Turn on the automatic recording mode, and when the automatic recording function is activated, stepping on the recording pin will not burn into the recording state, but when the GP-200 detects a certain intensity The input signal will be recorded into the recording state immediately.
  • Page 9: Module

    Preset speed Turn on In the complete effect chain simulated by GP-200, you can intuitively see the arrangement order and switch status of the 11 modules through the colors of the icons. The dark icon means the module is closed, and the bright icon means the module is activated.
  • Page 10: Related Settings

    Ÿ CTRL setting: You can specify the switch of one or more modules. There are four CTRLs for you to configure. With the "Global-Foot" option, your GP-200 can implement multiple modules in the same preset. The switch is switched to achieve a single-block matrix-like operation experience. Effect loop: the setting of the effect Ÿ...
  • Page 11: Settings (Global)

    Preset settings Return Return Send Send Tandem in parallel Storage boundary In the storage interface, you can save the preset parameters, control information, etc., and you can also adjust the preset positions to personalize the original presets. When you press the SAVE button, you will enter the preset location selection interface (see Figure 1 below), select a storage location through PARA, and press PARA to enter the preset name editing interface for that location (see Figure 2 below).
  • Page 12: Input/Output (I/O)

    The default is off. USB audio This item is used to set the related settings when using GP-200 as a USB sound card.Recording volume:Used to adjust the total output volume during internal recording, the range is ±20dB, and the default is 0dB.
  • Page 13 Global Settings Foot nail templates are divided into preset mode, single block mode and custom mode. Each mode contains the same options, and you can switch between them only through different settings. The foot nail template is effective by selecting the label page. The changes are saved, no need to save operation.
  • Page 14 Global Settings Pedal correction This menu is used for the expression pedal correction function. When you use the expression pedal, the effect change is not obvious or the effect changes more when you lightly step on the pedal, please consider correcting the expression pedal. As shown in the figure, turn the quick adjustment knob 1 or 2 to calibrate the corresponding pedal.
  • Page 15 Step on MIDI This menu is used to set the source of GP-200 receiving MIDI information, the receiving and sending channel of MIDI information, and the sending and receiving of MIDI clock. Ÿ MIDI signal source:Used to select where the unit receives MIDI messages from.Input Ÿ...
  • Page 16 Press the PARA knob to edit The global equalization of GP-200 is with low/high cut and four-band parametric equalization (Parametric-EQ). Each frequency band can be freely switched according to your needs. There are 6 frequency bands adjustable:...
  • Page 17 Restore factory settings (Factory-Reset) This menu is used to restore your GP-200 to the state it was in when it was shipped. Please note that performing this operation will clear all the presets and personalized settings you have previously edited, and once you perform this operation, this operation cannot be undone. Be sure to make a backup before performing this operation.
  • Page 18: Software

    Cooperate with full-frequency sound reinforcement equipment Full-range equipment includes sound cards, monitor speakers, PA systems, earphones, etc. In this scenario, you can connect the GP-200's output connector or earphone connector according to the needs of the back-end connector. Balanced and non-balanced output connector signals are the same, and balanced output is more suitable for long-distance signal transmission.
  • Page 19: Gp-200)

    With guitar box (using FX-Loop function front GP-200) In this scenario, connect the non-balanced output connector of the GP-200 to the RETURN connector of the guitar cabinet. In this mode, by shielding the front stage of the guitar box and using the rear stage of the guitar box, several excellent effects in the AMP module can be matched with your rear stage to obtain realistic sound effects.
  • Page 20: Function, 4Cm Connection)

    With guitar box (using FX-Loop function, 4CM connection) Use this connection method to divide the effect chain of GP-200 into two parts (as shown in the figure below). This method can place the PRE and DST modules of GP-200 before the front stage of the guitar cabinet, and simultaneously set the EQ, The MOD, DLY and RVB modules are placed between the front and back stages of the sound box.
  • Page 21: Performance)

    Effect list Pre-type (PRE) name type describe Parameter Description The sound is based on the legendary Ross ™-Compressor sound. This is the ancestor of the guitar compression effect Sustain: adjust the amount of compression compression COMP-- The guitar compression effect is popular and will become indispensable in the future Comp Volume: Adjust the output volume of the effect Important element, it has a naturally round compression effect, can...
  • Page 22: Pre (Pre)

    Effect list Pre-(PRE) name type describe Parameter Description Designed specifically for piezoelectric pickups, Original sound AC-Refiner Gain:Control effect gain amount -/- output volume Can provide a more natural cabinet for your electric box piano Acoustic Resonance Tone Body: Control the resonance of the acoustic guitar simulation Treble: Adjust the high frequency overtone and touch tone of acoustic guitar Volume:Adjust the effect volume Mode: select the tone mode...
  • Page 23 twenty one Effect list Pre-(PRE) name type describe Parameter Description Hi-Pitch: Adjust the pitch and sound pitch in full pitch units Low-Pitch: Adjust the low pitch and pitch in full pitch units transposition Wet: P-Bend Provides a simple and effective tone for transposition effect. Adjust the volume of the harmony effect Pitch Dry: Adjust the volume of the original sound...
  • Page 24 twenty two Effect list Distortion class (DST) name type Effect description Parameter Description The sound is based on the famous Ibanez®-TS-808-Tube-Screamer® * Overdrive/stimulate the tone of the effector. Since the first exhibition in 1979, before the world, TS808 opened up a new world. There are countless guitarists who love it.
  • Page 25 twenty three Effect list Distortion class (DST) name type Effect description Parameter Description Gain: Control effect gain Tone: Adjust tone brightness - it Fulltone®-OCD* allows you to quickly find the tone of "dessert". Volume: Adjust the volume of the effect The overdrive tone sounds warm and full, full of the smell of electronic Mode: Select the working mode: overload...
  • Page 26: Distortion

    twenty four Effect list Distortion class (DST) name type Effect description Parameter Description For fans of the radical germanium ambiguity that an early device might produce In general, there is nothing better than the Solar Tone Bender. Fuzz (0~100) adjust the gain size The circuit of Sola-Sound®-Tone-Bender* was very popular, and in the following Sora-Fuzz Fuzz...
  • Page 27 Effect list Distortion class (DST) name type Effect description Parameter Description Gain: Control the amount of effect gain Blend: Adjust the mixing ratio of the original sound and the effect sound The sound is based on the famous Darkglass®-Microtubes- Volume: Adjust the volume of the effect B7K*.
  • Page 28 Effect list Box head class (AMP) type Effect name Effect name Parameter Description The original (6G16 circuit) Vibroverb was launched on February 1963. Young Gain: Adjust the front stage gain of the sound box The lineup of sounders and output transformers were based on the Fender- Volume: Adjust the output volume of the sound box/post gain Dark-...
  • Page 29 Effect list Box head class (AMP) type Effect name Effect name Parameter Description Gain: Adjust gain/output A sound box model based on the legendary "Jazz Chorus" transistor sound box Bass/Middle/Treble: Three-band equalization Planned. When it came out in 1975, it was the first instrument box equipped with Qing Tone J-120-CL Clean...
  • Page 30 Effect list Box head class (AMP) type Effect name Effect description Parameter Description The Bogner®-XTC blue channel is highly recognizable classic rock crunch tone, Bog- distortion which is highly sought after, and the loud and handsome Plexi tone tone BlueV Drive Has extraordinary attainments.
  • Page 31 Effect list Amp (AMP) type fruit Fruit description Parameter Description A sound box simulation based on the Grindrod®-Pendragon-PG20C* one- body sound box Normal channel (Bright switch turned on). If you are a big Knights- Qing Tone fan of English soundtrack/overdrive tones, then this one Clean You must not miss it.
  • Page 32 Effect list Box head class (AMP) type Effect name Effect description Parameter Description A sound box simulation based on the legendary Marshall®-JTM45*-Normal In 1962, Marshall® launched a guitar case specially channel tone. designed for rock music. Its full sound laid the foundation of rock music. distortion UK-45 Drive...
  • Page 33 Effect list Box head class (AMP) type Effect name Effect description Parameter Description The production line of 1959HWTM can be traced back to the famous years from the mid-1960s to the late 1960s. It was born when Pete-Townshend distortion UK-SLP -Reissue here asked Jim if he could adjust it a little bit larger.
  • Page 34 Effect list Box head class (AMP) type Effect name Effect description Parameter Description Mess2C+-1 Based on the legendary Mesa/Boogie®-Mark-II-C+™-Amp Distortion Channel Tone, the two tones represent two different Amp Tones Switch combination. distortion Mess2C+-2 Drive In the 80's, Mark-II-C+* confirmed the positioning of Mesa/Boogie®- subordinate grid, and its sound appeared in the albums of Metallica and Dream-Theater, and it also set off a wave of American distortion .
  • Page 35 Effect list Box head class (AMP) type Effect name Effect description Parameter Description Sound box simulation based on Peavey®-5150® (-LEAD channel). Gain: The guitarist Eddie-Van-Halen began to collaborate with Adjust the front stage gain of the sound box -Peavey®- in the 1980s, and he named the album "5150", which he Presence: Adjust the presence of the tone box High gain EV-51...
  • Page 36: Noise

    Effect list Box head class (AMP) Effect name Effect description Parameter Description Gain: adjust the gain of the front stage of the sound box Sound box simulation based on Mesa/Boogie®-Bass-400 square head. Volume: Adjust the volume of the sound box output Mess-Bass The sound box that appeared in the early days, you can find Bass...
  • Page 37: Cabinet (Cab)

    Effect list Cabinet (CAB) type Effect name Effect description Parameter Description SUP-ZEP -1-x-6" The sound is based on the retro Supro®*-1x6 cabinet tone TWD-CP -1-x-8" The sound is based on the vintage Fender®-Champ*-1x8 cabinet sound TWD-PRC -1-x-10" The sound is based on the vintage Fender®-1x10 cabinet tone TWD-SUP -2-x-10"...
  • Page 38 Effect list Cabinet (CAB) type Effect name Effect description Parameter Description DB-Rock -2-x-12" Sound based on Two-Rock®*-2x12 cabinet tone Blue-SK -2-x-12" The sound is based on a custom cabinet with two 12 Celestion®-Alnico-Blue* speakers -4-x-12" Sound is based on Peavey®6505*4x12 cabinet tone -4-x-12"...
  • Page 39 Effect list Equalization (EQ) Effect name Effect description Parameter Description 125Hz, 400Hz, 800Hz, 1.6kHz, 4kHz: boost or Guitar-EQ-1 Corresponding frequency band attenuation Volume: Adjust the output volume balanced Balance designed for guitars 100Hz, 500Hz, 1kHz, 3kHz, 6kHz: Boost or decay Guitar-EQ-2 Corresponding frequency band Volume: Adjust the output volume...
  • Page 40 Effect list Modulation (MOD) type Effect name Effect description Parameter Description The sound is based on a legendary purple four-button stereo chorus sheet chorus C-Chorus Mode: Block effects, each chorus mode has rich details and Choose from four different chorus modes Chorus A strong sense of space, which can greatly expand the depth of your voice Depth: Control the depth of the chorus effect...
  • Page 41 Effect list Modulation (MOD) type Effect name Effect description Parameter Description Depth: Adjust the depth of the effect Phase The sound is based on a classic G-Phase Rate: Adjust the speed of the effect Phaser BBD analog phase pedal sound Sync: Dot fixed speed synchronization switch Rate: Electro-Harmonix-Small-Stone is one of the earliest phase shifters...
  • Page 42: Delay (Dly)

    Effect list Modulation (MOD) type Effect name Effect description Parameter Description Depth: Adjust the depth of the effect Rate: Adjust the speed of the effect Bias- By adjusting the bias voltage of the amp head to create a unique Vibrating Volume: Control output volume Trem...
  • Page 43 Effect list Delay (DLY) type Effect name Effect description Parameter Description Mix: Adjust the mixing ratio of the original sound and the effect sound Feedback: adjust the amount of delayed feedback Time: Delay Adjust the delay time Tube Analog electronic tube tape delay tone Delay Sync: Dot fixed speed synchronization switch Trail:...
  • Page 44: Reverberation (Rvb)

    Effect list Reverberation (RVB) type Effect name Effect description Parameter Description reverberation Room Reverberation effect that simulates the acoustic characteristics of the room Reverb Mix: Adjust the mixing ratio of the original sound and the effect sound Pre-Delay: Hall reverberation Decay: adjust the reverberation decay time Reverberation effect that simulates the acoustic characteristics of a large hall Reverb...
  • Page 45 鼓Machine rhythm type list Grid type Default speed Time signature Classic-Rock-1 Classic-Rock-2 Classic-Rock-3 Classic-Rock-4 Classic-Rock-5 Classic-Rock-6 Hard-Rock-1 Hard-Rock-2 Hard-Rock-3 Post-Rock-1 Post-Rock-2 Post-Rock-3 Garage-Rock Prog-Rock Surf-Rock Rock 120BPM Punk-1 Punk-2 Punk-3 Punk-4 Post-Punk-1 Post-Punk-2 Heavy-Metal-1 Heavy-Metal-2 Nu-Metal-1 Nu-Metal-2 Hardcore Grunge New-Wave Rock-5/4 Funk-1 Funk-2...
  • Page 46 鼓Machine rhythm type list Grid type Default speed Time signature Blues-1 Blues-2 Blues-3 Blues-4 Swing Blues Shuffle- Shuffle-3/4 Bluegrass Country Country-Folk Pop-1 Pop-2 Pop-3 Hip-Hop-1 Hip-Hop-2 Hip-Hop-3 Hip-Hop-Rock Jazz-1 120BPM Jazz-2 Jazz-3 Jazz Jazz-4 Bossanova-1 Bossanova-2 Fusion Electro1- Electro2- Techno- Electronic TripHop- Electronic-Pop...
  • Page 47 鼓Machine rhythm type list Grid type Default speed Time signature Samba Tango Beguine Polka Waltz Reggae-1 Reggae-2 World Mazuke Musette March-1 March-2 March-3 120BPM New-Age-1 New-Age-2 World Metro...
  • Page 48: Control Information List

    MIDI control message list Ranges Ranges instruction instruction Nr module switch: Preset group MSB: 0-63: 0-127 01-A~32-D: CC0=1, PC=0-127 close 64-127: On 33-A~64-D: CC0=0,PC=0-127 CAB module switch: 0-100 Preset volume 0-63: 0-127 close 0-100 64-127: open EXP-1-parameter EXP1 switch: Eq module switch: 0-63: 0-63: 0-127...
  • Page 49 MIDI control message list Ranges instruction 0-100 Phrase looper recording volume 0-100 Phrase looper playback volume Phrase looper position 0-63: Rear 0-127 64-127: Front CTRL-1 0-127 0-127 CTRL--2 0-127 CTRL--3 0-127 CTRL--4 Speed MSB, used with CC74 CC70=0, CC74=40-127: 40BPM-127BPM 0-127 CC70=1, CC74=0-122: 128BPM-250BPM...
  • Page 50: Troubleshooting

    Ÿ Make sure that the instrument output jacks are working properly. Ÿ Please confirm whether your effect parameter settings are appropriate. Under extreme parameters, the GP-200 may have abnormal noise. The expression pedal is not working properly Ÿ Please confirm whether the relevant settings of the expression pedal are normal.
  • Page 51: Specification Parameters

    Specifications Technical index Ÿ A/D/A conversion: 24-bit high performance Ÿ Sampling rate: 44.1kHz Ÿ Signal to noise ratio: 110dB Ÿ Effect modules: 11, which can be used at the same time Ÿ Number of presets: 256 preset positions, 100 out-of-box presets Ÿ...
VALETON GP-200 USER MANUAL Pdf Download (2024)
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